Actionix is a panel inside Photoshop for DTF and digital pallet shops. It builds the white or gel underbase with the choke you set, tells you whether the file will print sharp, and exports the transparent PNG your RIP expects.
Photoshop CC 2019 and newer · Windows and Mac · no Creative Cloud subscription
SCREENSHOT 1 — the hero shot
The Actionix panel docked on the right of Photoshop, with a real
garment design open and an underbase already built.
Wide, roughly 2400×1400. This is the most important image on the site.
DTF, or digital pallet. On pallet, choose light or dark garment and Actionix switches between gel and white for you. DTF is always white, so the toggle stays out of your way.
Set the DPI your printer needs. Actionix tells you before you commit film, not after — and it passes a 600 DPI file against a 300 DPI target, because that file is better, not worse.
As a layer or a spot channel, named how your RIP expects, with the choke you set. Sampled from the artwork as it looks, without merging or flattening your layers.
Transparent PNG, consistent filename, ready for the RIP. Your working file is untouched — the export runs on a copy.
SCREENSHOT 2 — the panel
Just the Actionix panel, Print tab, close up.
Tall, roughly 900×1400.
Too little choke and the base peeks out as a halo. Too much and the edges go thin. Actionix pulls the base in by the amount you set, in half-pixel steps, and remembers it for the next job.
The selection is sampled from all your layers at once — masks, blend modes, opacity and all — without merging them. You get your file back editable, not flattened.
SCREENSHOT 3 — before and after
The same design side by side: artwork alone, then artwork over the
generated underbase. Zoomed enough to see the choke at the edges.
Roughly 1600×1200.
Drop in several designs and Actionix arranges them across the roll width, turning them where turning saves space, then builds one underbase over the finished sheet.
The film length shows as you go, in metres or inches, so you know what a sheet costs before you print it.
SCREENSHOT 4 — a gang sheet
Several designs arranged on a roll-width canvas, with the metre
estimate visible in the panel.
Roughly 1600×1200.
Small, blurry, screenshotted twice. SepArt AI enlarges it enough to print, clears scan patterns and grain, and cuts backgrounds that Photoshop's own tool gives up on.
It runs on our servers, so it works the same on Photoshop 2019 as on the newest version. Paid with credits, and the cost is shown before anything runs.
SepArt AI edits pictures you already have. It does not generate artwork.
SCREENSHOT 5 — AI before/after
A genuinely bad customer logo, then the same after Enlarge.
Zoomed in so the difference is obvious.
Roughly 1600×1200.
No monthly fee. The licence keeps working, and updates are included.
one-time, including GST
one-time, including GST
Top up any time. They never expire.
| 50 credits | ₹750 |
| 150 credits | ₹2,100 |
| 400 credits | ₹5,200 |
1 credit per job. Enlarging a very large file costs more — the panel shows the price first.
CC 2019 and anything newer, Windows or Mac. The installer checks your version and sets up the right build. You do not need a Creative Cloud subscription and it never asks you to sign in to Adobe.
No. The underbase is added as a new layer or channel, background removal uses a mask, and export runs on a copy. Your layers stay as you made them.
Every print-prep tool works offline. Only SepArt AI needs a connection, because the work happens on our servers.
A licence covers one computer. When you change machines, write to us and we move it across at no charge.
Ask us before you buy — tell us your Photoshop version and what you print, and we will tell you honestly. See the refund policy.
Actionix is in final testing. Send us a message and we will tell you the day it is out.
Get in touch